Nicholas Huff sings Prunier, the poet. He fills the role not only with his fine voice, but with a lovely facility with all the wit and humor it demands.

An authentic bel canto singer […], free, ringing high tones that stopped the show [… and] the melting lyric timbre, beguiling stage personality and theatrical aplomb to dominate the stage.

Nicholas Huff's touching lyric tenor carried Harold "Mitch" Mitchell to sensitive heights as the momma's boy suitor to Blanche. His treatment of the tender "I'm Not a Boy" in Act 2 [...] was impeccable.

Nicholas Huff was a gentle and appealing Harold Mitchell. His fine grained lyric tenor captured the character’s kind heartedness, [and his] explosive outburst when he realizes Stanley’s treachery was riveting.

Nicholas Huff as the tall Prince showed a clear, expressive lyrical tenor voice. He and [...] Cinderella simply pour out rapturous melody.

The Don Ottavio, Nicholas Huff, took his own personal ovation in 'il mio tesoro' for showing off his impeccable control over fiato.

The scene was electrified by Huff’s vocal and dramatic fearlessness.

Soprano Lauren Nash Silberstein and lyric tenor Nicholas Huff are an unmitigated delight as Magda’s free-spirited maid Lisette and the temperamental poet Prunier.

[A] luxury Nemorino: the tenor Nicholas Huff's beautiful and attuned voice embroidered the long-awaited aria 'Una furtiva lagrima' without us missing any of the Three Tenors.

As Mitch, tenor Nicholas Huff contributed necessary balance, standing out in the confrontation with Blanche and her past.

Nicholas Huff['s] warmth of tone and ardent demeanor saw him rise above [the] goofiness.

A warm tone and thoughtful acting from tenor Nicholas Huff.

[Nicholas Huff] delivered the difficult aria "Il mio tesoro" with assurance, traversing well the tricky runs that required every bit of real estate from his vocal cords.