Nicholas Huff brought a vigorous, exciting tenor to Giles Corey.

Tenor Nicholas Huff is superb as the tenacious and ultimately victorious Malcolm.

Mr. Huff [delivered] an impassioned indictment of what Jobs had become. Mr. Huff’s strong acting and singing skills were on full display.

Twice the recital's strapping boatman [Huff's] swing-for-the-fences delivery cinched both 'Der Schiffer' and the later 'Lied eines Schiffer an die Dioskuren' in an intuitive partnership with pianist Ting Ting Wong.

An authentic bel canto singer […], free, ringing high tones that stopped the show [… and] the melting lyric timbre, beguiling stage personality and theatrical aplomb to dominate the stage.

Nicholas Huff was a gentle and appealing Harold Mitchell. His fine grained lyric tenor captured the character’s kind heartedness, [and his] explosive outburst when he realizes Stanley’s treachery was riveting.

Nicholas Huff as the tall Prince showed a clear, expressive lyrical tenor voice. He and [...] Cinderella simply pour out rapturous melody.

[Nicholas Huff] delivered the difficult aria "Il mio tesoro" with assurance, traversing well the tricky runs that required every bit of real estate from his vocal cords.

A warm tone and thoughtful acting from tenor Nicholas Huff.

Nicholas Huff ... proved exceptional here as well ... As Giles Corey, Huff’s heroic tone reinforced the virtue of one of the only townspeople who refused to confess to the crimes charged against him.

Tenor Nicholas Huff, fresh off a strong supporting role in Macbeth this fall, plied ringing high notes and a potent vocal edge to the hateful character of Zach.

A different group of Cafritz Young Artists gave a dramatically convincing performance of the “Tonight” Quintet from Bernstein’s West Side Story, with an especially heroic contribution from tenor Nicholas Huff.

Soprano Lauren Nash Silberstein and lyric tenor Nicholas Huff are an unmitigated delight as Magda’s free-spirited maid Lisette and the temperamental poet Prunier.

Nicholas Huff's touching lyric tenor carried Harold "Mitch" Mitchell to sensitive heights as the momma's boy suitor to Blanche. His treatment of the tender "I'm Not a Boy" in Act 2 [...] was impeccable.

As Mitch, tenor Nicholas Huff contributed necessary balance, standing out in the confrontation with Blanche and her past.

Nicholas Huff['s] warmth of tone and ardent demeanor saw him rise above [the] goofiness.

The Don Ottavio, Nicholas Huff, took his own personal ovation in 'il mio tesoro' for showing off his impeccable control over fiato.

The scene was electrified by Huff’s vocal and dramatic fearlessness.